![]() ![]() Project MUSE is a leading provider of digital humanities and social sciences content, providing access to journal and book content from nearly 300 publishers. ![]() With warehouses on three continents, worldwide sales representation, and a robust digital publishing program, the Books Division connects Hopkins authors to scholars, experts, and educational and research institutions around the world. With critically acclaimed titles in history, science, higher education, consumer health, humanities, classics, and public health, the Books Division publishes 150 new books each year and maintains a backlist in excess of 3,000 titles. The division also manages membership services for more than 50 scholarly and professional associations and societies. The Journals Division publishes 85 journals in the arts and humanities, technology and medicine, higher education, history, political science, and library science. The Press is home to the largest journal publication program of any U.S.-based university press. “I approached the challenges and opportunities facing our industry the way we have worked as an association: with honesty, data, openness, and most especially, with respect for the journalists who cover our industry.One of the largest publishers in the United States, the Johns Hopkins University Press combines traditional books and journals publishing units with cutting-edge service divisions that sustain diversity and independence among nonprofit, scholarly publishers, societies, and associations. “It has been a tremendous privilege to serve as the voice of an industry that I truly love,” Corcoran said. We wish him the best in his next chapter.” “He has served our organization and the entire exhibition industry with skill and dedication, and we are grateful for all that he has done to drive the way NATO tells its story. “Patrick has been an integral part of NATO’s growth over the past two and a half decades,” said O’Leary. In 2011, he was promoted to his most recent role running communications and serving as NATO’s vice president. In 2007, he was named director of media and research, as well as the organization’s California operations chief. He also had to deal with fractious theater owners, all while helping to launch NATO’s annual exhibition business conference, CinemaCon.Ĭorcoran, who came from journalism, joined NATO as a writer and editor of its monthly magazine and annual encyclopedia in 1998. Through it all, Corcoran, a wry, unflappable presence labored to argue that movie theaters were not in a death spiral and would continue to attract customers, just as they had for more than a century. His tenure overlapped with tectonic changes in the theatrical landscape, from consolidation of major chains to the rise of streaming to a public health crisis in COVID that led to the closure of cinemas for months. It’s a time of transition at NATO, with Michael O’Leary taking over as president and CEO from John Fithian, who ran the organization for decades.Ĭorcoran worked closely with Fithian, helping to manage the group’s public relations outreach. Patrick Corcoran is stepping down from the National Association of Theatre Owners, ending a 24-year run that most recently saw him serve as vice president and chief communications officer of the exhibition industry lobbying organization. ![]()
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